Working between animation-film and games, I have developed and implemented routines and methods necessary for a wide range of artists to collaborate as efficiently as possible to achieve the final output. I am neither an engineer nor an artist. But having worked in both fields, and growing up with a keen interest in both subjects, I bridge the two roles well, helping communication and development of new ideas and workflows between the two.
My main competencies are scripting (python), character setup and modeling. I have knowledge of most areas of 3d, including VFX, shading, lighting, rendering, texturing, animation and compositing.
I love to work in a team, seeing how far working together can push the final result. In order to help this, I always try to output the very best and clean result, making the job easier for the next person in line. Feel free to contact me at firstname.lastname@example.org
I graduated from The Animation Workshop in Viborg, with a Bachelor in Computer Graphics and Art in January 2013, where I worked as a Technical Director and Pipeline Supervisor for the graduation film Porcelain Before getting into VFX I was trained in classical drawing at The Drawing Academy where I focused on anatomy and the human figure. The knowledge of human anatomy I acquired has proven to be beneficial in many occasions such as modeling, sculpting and rigging.
Skills and software experience:
- 3ds Max
- Thinkbox Deadline
- OptiTrack ARENA